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By Julia Roberts
Print | PDFThe first time I saw Arlyn Davis, she was leaning against the wall outside the library. The late afternoon sun lit her up, almost as if she were part of it. A freshly lit cigarette dangled between her fingers, and her eyes traced the sky like she was reading something the rest of us had missed.
Arlyn didn’t look like she belonged at our school. Her jeans were ripped, her boots scuffed, and something about her posture — loose but guarded — made people hesitate before speaking to her. I didn’t say anything either. I just watched her from the hallway, pretending to be interested in a cracked vending machine.
That same day, she sat beside me in the library without asking.
“You look like you read sad books,” she said.
I looked up. “You look like you write them.”
Arlyn smiled — not the kind of smile that was kind or bubbly, but the kind that dared you to look closer. “Maybe I do.”
Her name started to dance through the halls soon after. Transferred from another district. Got into a fight. Expelled twice. Her mother was gone, and her father was a ghost in a house he never left. But none of that mattered in the library. Between the rows of dust-smeared windows and worn-out books, it was just me and Arlyn, quietly orbiting each other.
At first, she never wrote anything down. She would draw thin ink lines inside the covers of books she borrowed, like she was tracing something she used to know. One day, during lunch, she handed me a crumpled sheet of paper.
“Be honest,” she said.
It was a poem — sharp and aching, filled with broken light and fragile metaphors:
I am a house of sharpness and thunder,
Too loud to echo, too fragile to stand,
Just trying to carry the sun in a paper hand.
It wasn’t perfect, but each word bled through the page. I looked at her.
“It’s beautiful,” I said, and I meant it.
That became our routine. She’d write poems and pass them to me; I’d write short stories and slip them into her notebook. We never talked about it in class. It became our secret language. I never asked about her father or why she flinched at sudden movements. She never asked why I spent more time in the library than at home. We just existed — two quiet souls orbiting the same hurt.
Until we didn’t.
December brought more than snow. It brought silence. Arlyn stopped showing up — first for a day, then three, then a week. Rumors blossomed like wildflowers: something about her dad, child services, a hospital visit. I went to her house once. No one answered.
When she finally returned, it was like the life had been drained from her. She didn’t speak or write. She just sat across from me, her hands clenched around nothing.
So I did the only thing I knew how — I wrote her a story.
It was about a girl who swallowed stars because she believed that if she carried enough light inside her, the darkness couldn’t overtake her. But the stars burned her. They scarred her. Still, she kept swallowing them — one for every day she survived.
I left the story in her locker.
The next day, she sat beside me in silence and slid a poem across the table:
If I disappear,
Remember me in the starlight,
Not in silence.
She didn’t smile, but her eyes softened. That was enough.
January came, and with it, the thaw — and new bruises Arlyn didn’t explain. But she started writing again. Her poems grew louder, angrier — less about sadness, more about surviving. Page after page of words that didn’t rhyme but still somehow sang.
“Do you ever think about getting out of here?” she asked one afternoon.
“All the time,” I said. “You?”
She nodded. “I think I want to go to college. Write for real. Prove I’m not just the mess everyone sees.”
“You’re already more than that,” I said.
Her hand brushed mine. “Then help me try.”
We spent February applying for programs in secret. I edited her personal statement three times. She read all my stories like they were gospel. Sometimes she cried after reading them, and I never asked why.
On our last day of school, Arlyn handed me an envelope. “Don’t open it until after graduation,” she said.
I lasted two hours.
Inside was a poem:
We are the sparks they tried to drown,
Ashes, maybe,
But still warm enough to catch fire again,
Still burning, still rising.
Below it, scrawled in her uneven handwriting:
Thank you for seeing me. That was all I ever needed.
We don’t live in the same city anymore. Arlyn writes to me once a month — emails, usually. Some poems, some essays. Sometimes just a few words like, “I survived this week”.
I still keep that poem from our graduation folded in my wallet — a reminder that light doesn’t have to be blinding. Sometimes, it just needs to be shared.